I DECIDED to go with a far more ambitious title than what I had originally intended, The Zapruder Film Is a Hoax. While it is absolutely true that the Zapruder film is a hoax, and I intend to prove that point, what I have come to find is that you can only plant so many Neil Armstrong moon flags onto the Hollywood sound stage before the entire operation is thrown into question. The boys down at Langley would have everybody think the second shooter is the cover up when in fact the very idea was from the very beginning a series of bread crumbs—pigeon glitter really—intended to lead us off their scent and into a Wonderland of ongoing belief in the credibility of the free press and the worship for patriotism. At its absolute core, the assassination of John F. Kennedy was a psychodrama, intended for the alchemical transformation of America into the image of the Beast system. But I can take that one step further.
On November 22, President John F. Kennedy was never killed at all.
What you are about to read has quickly sprouted into a two-part series, mostly because there is so much ground to cover. It’s follow-up is scheduled to be released on this same day next week. Initially, I intend to pull back the curtain and hawk-eye the players surrounding the Zapruder film, including the filmmaker. The film itself will be scrutinized on the next go-around. So, let’s get straight to it.
The John F. Kennedy assassination was a hoax.
Here is my report.
From the very beginning, we are working on the presumption that the Zapruder film is provably an altered document, and is therefore a hoax. This isn’t Burger King. You cannot have Zapruder your way. If forsaking a cleverly conjured Whopper threatens to derail the conversation, then rest assured I’ll be covering elements of his footage in the next go-around. When I came to the initial conclusion that the film was indeed altered, as it therefore not credible, my very first thought was to look into the man who gave us the 1-minute silent 8mm color motion picture that has been dubbed “the film of the century.” Abraham Zapruder.
My serial readers probably knows by now that I consider The Wikipedia to be spook literature at its best. Spooks love to sell us on “the grass roots” in everything. The grass roots in feminism. The grass roots in the anti-war Movement and the American hippie. The grass roots in rock n’ roll and rap. The grass roots in postmodern art. They’re all psyops, every last one of them, by which The Wiki is no exception. Its logo is an incomplete 3-D globe Earth model, by which they tell you: “We’ll fill in the missing pieces of your constructed reality.” Should that have somehow flown right over your head, just know that I took another stab at the Copernican Revolution, because the Copernican Revolution is yet another hoax. At any rate, I decided to give The Wikipedia another try, as I so often do, and once again wasn’t disappointed.
The Wiki tells us that Zapruder was a Ukrainian born Jew. Wink-wink. But if that’s not enough, he was also a Freemason and an Inspector-General of the Scottish Rite. Mm-hmm, Zapruder was 33 Degree. Wink-wink. Do pause and ponder that for a moment. 33. This puts Zapruder in the same league as agent Mark Twain, both President Roosevelt’s, Winston Churchill, Benjamin Franklin, George Washington, Reverend Jesse Jackson (cough, Billy Graham, cough), and Confederate General Albert Pike. Take all the time you need.
Also, Earl Warren. The judge. As in, the Warren Report. Warren was another 33. There is no possible way that Lodge brothers Warren and Zapruder did not either know each other or know of each other beyond the film itself. Try not to let the cognitive dissonance win the day.
Already, we can easily deduce that Zapruder was a spook. One of the ways in which The Wikipedia passes notes in class is by telling us their agents role in the introductory sentences of each article. Here they write: “He unexpectedly captured the shooting in a home movie while filming the presidential limousine and motorcade as it traveled through Dealey Plaza.” Emphasis is my own. We further learn that Zapruder worked on the fourth floor of the Dal-Tex Building, directly across the street from the Texas School Book Depository building, from 1953 to 1954. Small world. Learning about this obscure and little known fact had my curiosity. One can’t help but wonder if agent Zapruder had scouted out the precise location of the upcoming ceremony.
So, I decided to look into Dealey Plaza, and this is what I learned.
Dealey Plaza: Ceremony Center
I like this picture.
I’m not sure when it was taken. It looks old enough. From this vantage point we can see the grassy knoll towards the left of Elm Street. Badge Man stood within the shadow of it’s treeline. Just beyond the Bryan pergola, where Zapruder filmed, is the bland, seemingly lifeless building inscribed with the letters, TEXAS SCHOOL BOOK DEPOSITORY. From its sixth floor window, Oswald is said to have performed his part in the script. How ironic that it had only recently become a warehouse for Illuminati approved indoctrination literature for children. Directly across the street we find the Dal-Tex Building, where Zapruder worked. Many have noted that Dealey Plaza makes up the shape of a pyramid. This much is true—but only partly. On closer scrutiny, we shouldn’t be surprised to find that Dealey Plaza depicts the Square and the Compass of Freemasonry.
Notice the obelisk, dead center. Mm-hmm, the Mysteries of Isis. If you are still left unaware as to the importance of obelisks and sun worship in the Mystery religions and Freemasonry, then I suggest you read the following papers, because I won’t to explain it all again here. Origins of the Christian Steeple. Jesus did not die on a cross. Pharaoh, Avatar of Egypt. And finally, the Copernican Revolution hoax, because you know you want to. The obelisk was built in 1940 by the WPA. We are expected to believe that the Works Projects Administration had apparently completely run out of sidewalks to pave and gorges to fill with bridges, having nowhere left to turn in a Christian nation than reconstructing the “high places” of ancient Occult worship. Dallas is located within range of the 33 degree of latitude, which circles the earth. Israel is too. Probably just a coincidence.
Oh, and one more thing.
The Plaza was named after a certain George Bannerman Dealey. I checked. Dealey was a 33 degree Freemason. The fact that Zapruder and Dealey were both in Club 33 is not coincidental by any means. Clearly, Dealey Plaza was built for the purposes of and chosen for a ceremony. A worldwide psychodrama. Hoax. The transformation of the nation. Alchemy. A weapon turned against us.
In short, the Zapruder film was a psyop.
I then thought this might be a good time to see if there were any other Freemasons involved in the JFK assassination hoax. I wasn’t let down.
We already know that Chief Justice of the Supreme Court Earl Warren was a Grand Master and 33-degree Mason, but it doesn’t end there. Every single member of the Warren Commission, except for Thomas Hale Boggs, was a Freemason. I’ve included a picture of Warren delivering his report to President Lyndon B. Johnson. From left to right, each Freemason is as follows: John McCloy, J. Lee Rankin, Senator Richard Russell, Congressman (and later President) Gerald Ford, Chief Justice Earl Warren, President Lyndon B. Johnson, Allen Dulles, and Senator John Sherman Cooper. On the far right, looking somewhat shifty-eyed, perhaps perspiring under each arm, is the only non Freemason present. Congressman Hale Boggs.
In 1972, Boggs boarded a plane and disappeared over Alaska.
He was never seen nor heard of again.
Here it should be noted that Allen W. Dulles, the old man who appears to be staring at Boggs (plotting his demise…?), was a former Director of the CIA and one of the masterminds of Project Paperclip. He has an airport named after him in Virginia. George Bush has an international airport named after him and he was a CIA Director too, but we’ll get to him later.
It likely will not surprise anyone to learn that J. Edgar Hoover was of the 33 degree. I once sat through a sermon where the pastor of a Baptist church moaned and groaned about conspiracy theorists who insist Hoover dressed in drag. He had amens! to back him. That pastor was probably a Freemason. Come to think of it, I had probably plopped myself down with several of them.
Arlen Spector came up with “the magic bullet theory” and he was a 33 degree Freemason. But that’s probably none of my business.
By the way, here’s something that The Wikipedia thought important to leave out from the Zapruder film narrative. Zapruder wasn’t only a 33 Degree and a Jew. He had open ties to the CIA. Zapruder was an active member of two CIA proprietary organizations, The Dallas Council On World Affairs, and The Crusade For A Free Europe.
After discovering this little nugget of information, I decided to look into other members of either organization. Once again, I wasn’t let down.
George de Mohrenschildt befriended Lee Harvey Oswald in 1962 through the Russian-speaking community in Dallas and Fort Worth and hooked him up with employment, by which Oswald was soon thereafter fired. De Mohrenschildt has therefore been targeted as one of Oswald’s contacts, baby-sitters, and handlers. The above picture of Oswald was clearly, clearly, set up for the psyop. If you are unable to chew on the following mouthful; that De Mohrenschildt was fingered as a pro-Nazi, anti-communist, anti-Castro, German, French, and CIA agent; then I will kindly remind you of your failure to recognize that the world is a stage and everyone is reading from the same script. De Mohrenschildt was a member of The Dallas Council On World Affairs.
George H.W. Bush, future CIA Director, vice-president and president, blah, blah, blah, was good friends with de Mohrenschildt and he was a member. The future President named his son Neil after his mentor, Neil Newan, and Newan was a member.
Clint Murchison, a noted Texas-based oil magnate and political operative as well as the father of Dallas Cowboys owner Clint Murchison Jr., was also a member. Oil tycoon H.L. Hunt was yet another.
And then check this out.
Sarah Hughes, she’s the federal judge swearing 33-Degree Freemason Lyndon B. Johnson in as President of the Corporate United State while Air Force One is still on the ground. She was a member of the club. But that’s not what I want you to notice in this picture. Look to stage left of Johnson. No, not the woman wearing pearls. No, not the man in the bow-tie. Look further left. The man nearly pressed against the wall of the airplane is none other than Jack Valenti.
Jack Valenti played the part of liaison with the news media during the President’s visit to Dallas on November 22, 1963. Make a note of that. He was also in the motorcade with both Johnson and Kennedy. Within three years, 1966 respectively, Valenti resigned from the White House to become the president of the Motion Picture Association of America, a chair he would remain in for the following three decades.
Now that we have mostly gotten our witch hunt out of the way, we are back on the subject of Abraham Zapruder again. Perhaps only momentarily. We shall see. Before us is a photo of Abraham and Lillian posing with their most recent member of the family, a Howell 8mm movie camera. We’re told it’s 1962. But why be so obstinately gullible? It might as well be October 31, 1963, with only weeks to go. More than likely, it was the sort of photograph one might slide into an otherwise empty envelope and mail to his friends, if you get my drift. It is not difficult to imagine a scenario whereas everything was already in order when Badge Man or the Babushka Lady snapped their portrait and the message read loud and clear. “Let the ceremony commence.”
The Zapruder camera was perfectly positioned, like a shaman or a Maestro during his masterful stage performance. It was cleverly intended to block out the Book Depository Building and whatever lingered behind the Grassy Knoll, essentially America’s entire peripheral vision, so as to create the conspirators mystery while completely hiding the illusion surrounding the narrative.
We will turn now to The Wikipedia and read Agent Zapruder’s timeline, according to the official narrative, in the hours before and after Kennedy’s exit from the world stage. I shall pause only for a few comments.
Let us begin.
“When he arrived at work that morning without his camera, Zapruder’s assistant insisted that he retrieve it from home before going to Dealey Plaza because the weather had cleared.”
They always tell you stuff like this. It’s how spook literature attempts to make everything that happened during psyops like November 22 seem completely within the realm of the ordinary. No curtains whatsoever need pulled. In other words, Zapruder’s part in documenting the most important film in the 21st century has absolutely nothing to do with his CIA ties or his ranking as a 33-degree Mason and everything to do with a pet hobby. Super 8. Speaking of which.
Zapruder’s movie camera was an 8 mm Bell & Howell Zoomatic Director Series Model 414 PD—top of the line when it was purchased in 1962.
He chose to film on top of a 4-foot (1.2 m) concrete abutment which extends from a retaining wall that was part of the John Neely Bryan concrete pergola on the grassy knoll north of Elm Street, in Dealey Plaza. Zapruder’s secretary, Marilyn Sitzman, offered to assist Zapruder as he suffered from vertigo and was apprehensive about standing on the abutment alone.
There is it again. Agent Zapruder was incompetent and needed the continual encouragement of his assistant, a certain Marilyn Stitzman. Years later, when recounting why she was never called before the Warren Commission to testify, Sitzman stated, “Because it was the 1960s, I was female and I was young. And I was irrelevant.” Something tells me she became a feminist, and that can only mean one thing. The CIA got to her. Also, emphasis is once again my own. Remember, the narrative before us is the American dream gone ape shit. Only normal everyday people need apply.
The Wiki adds:
Sitzman stood behind Zapruder and held his coat to steady him.
From here on out, Marilyn Stitzman exits the story. Her role as the 1960’s female but otherwise organic and irrelevant ingredient has played its part. Thanks for holding his camera steady, Marilyn. Goodbye.
Walking back to his office amid the confusion following the shots…
Zapruder simply walked back to his office amid the confusion following the shots? That’s strange.
Do me a favor and look at the above photo. If we’re expected to deal with the realm of the organic and ordinary, then there’s a lot that’s very wrong with the unfolding scene. We shall deal with those issues in my follow-up. Sure, agent Zapruder’s story checks out. He’s completely absent from the Bryan pergola, from which he’d filmed only a moment earlier. The President was shot and he simply walked off. Everyone else remained at the scene to be interviewed. You’d think Zapruder would stick around to continue filming. Perhaps turn the camera to the left towards the Book Depository Building, simply out of curiosity. Zoom in on a window. Or meander to his right towards the grassy knoll. Witnesses present in this very photo reported hearing multiple shots from both locations. Then again, had he done so, turned his camera away from the stage, the entire psyop might have been threatened.
…Zapruder encountered The Dallas Morning News reporter Harry McCormick, who was standing near Zapruder and noticed he was filming the motorcade.
McCormick was acquainted with Agent Forrest Sorrels of the Secret Service’s Dallas office, and offered to bring Sorrels to Zapruder’s office. Zapruder agreed and returned to his office. McCormick later found Sorrels outside the Sheriff’s office at Main and Houston, and together they went to Zapruder’s office.
Quite suddenly, we are introduced to Harry McCormick. His role is really quite minimal, and it’s the hand-off. If America was alerted to agent Zapruder’s connections, the entire illusion might be shattered. Contrarily, had Zapruder stuck around at the scene of the crime after their leading actor sped off in his Lincoln convertible, we can easily deduce that Secret Service would have naturally picked up his video footage. But that might also create an added problem for the official narrative. Zapruder could not remain. He could not continue recording. Had he done so, he might expose the few crisis actors they hired in Dealey Plaza. Mm-hmm, I just went there. But I’m getting ahead of myself again.
“Zapruder agreed to give the film to Sorrels on the condition it would be used only for investigation of the assassination.”
Already we need to pause again, because when the President of the United States is assassinated, you don’t merely agree to hand over film footage to the government. Hence, emphasis is my own. During the September 11 false flag attacks, some twenty-six CCTV cameras from every gas station and hotel were confiscated and hidden from the American public in order that the airliner narrative get pushed forward. In 2001, confiscating video cameras was an issue of national security.
The three then took the film to the television station WFAA to be developed. After it was realized that WFAA was unable to develop Zapruder’s footage, the film was taken to Eastman Kodak’s Dallas processing plant later that afternoon where it was immediately developed. As the Kodachrome process requires different equipment for duplication than for simple development, Zapruder’s film was not developed until around 6:30 p.m. The original developed film was taken to the Jamieson Film Company, where three additional copies were exposed; these were returned to Kodak around 8 p.m. for processing. Zapruder kept the original, plus one copy, and gave the other two copies to Sorrels, who sent them to Secret Service headquarters in Washington.
Multiple copies. Nothing altered. The Wikipedia assures us that everything we see in the Zapruder film was developed, multiplied, and then disbanded to a handful of participating parties within several hours of the assassination. We are to assume this was done for the purposes of historical preservation, investigative integrity, and legal cross referencing. They even drop names—trustworthy consumer products like Kodak—to assure us of its authenticity. But do you see what they did there? The film was transferred from Kodak to the Jamieson Film Company, where “three additional copies were exposed,” and then returned to Kodak for processing. There it is again. The slight of hand.
According to The Wiki, Hugh Jamieson of the Jamieson Film Company got his start working for Thomas Edison. He is directly accredited with filming the New London school disaster, a gas explosion that “killed more than 295 students and teachers” in 1937. By 1942, Jamieson joined the federal War Production Advisory Committee for the creation of military propaganda films. His film studio was located at 2212 Live Oak Street, only a mile away from Dealey Plaza, and it’s abundantly clear in 1963 that he hadn’t finished his work for the government.
“Late that evening, Zapruder was contacted at home by Richard Stolley, an editor at Life magazine (and first editor of the future People magazine). They arranged to meet the following morning to view the film, after which Zapruder sold the print rights to Life for $50,000. Stolley was representing Time/Life on behalf of Publisher Charles Douglas Jackson. The following day (November 24), Life purchased all rights to the film for a total of $150,000 (approximately $1,253,000 today).”
Mm-hmm, yet another organic transfer. Capitalism and the free press and all that. Making the best of the American dream in the face of an industrial fan and a bucket-full of ape shit.
For the record, General Charles Douglas Jackson, the senior executive of Time-Life Magazines in 1963, was a United States government propagandist. Even more-so than Jamieson. The Wikipedia describes him as “an expert on psychological warfare.” And as proof, Jackson was Deputy Chief at the Psychological Warfare Division during The War. “After the war, he became Managing Director of Time-Life International.” Nothing to see here. I’m sure his tenure at Time-Life was a vacation and much needed rest from his psychological warmongering, despite the fact that Wiki nonchalantly adds in the same sentence that he went on to become an adviser to President Eisenhower on psychological warfare.
As we have come to find, everything about that day is a lie. Everything.
The Secret Service was in on it. The CIA was in on it. The FBI was in on it. The Freemasons were in on it. The Jews were in on it. The Psychological Warfare was in on it. The movie industry was in on it. The free press was definitely in on it. If I fail to mention Jack Ruby, then know the nightclubs were in on it. Even Castro and Khrushchev were probably in on it. Only Marilyn Monroe, who had already died one year earlier, according to the official narrative, can be deduced as being out of the loop. The JFK Assassination was the perfect storm on the world stage. The entire script leading up to this moment directs our attention to the lone gunman.
Even Kennedy was in on it.
In the real world, after Toto has pulled back every possible curtain, Kennedy doesn’t simply happen, which brings up my next point.
This guy was in on it too.
But more on that next time.