The Psalm Project: Songs of Ascending (Psalms 122-127)

Bible Deep Dives | New | Pamela Glasgow | The Psalm Project

THERE exists within the Telliym/Psalms a curious compilation of songs. These are known by various names: Songs of Degrees, Songs of Ascents, Songs of Steps, the Gradual Songs, etc. This psalter within the psalter, according to tradition, was performed while going up the temple steps. It might have been a latter truth, but it is unlikely in the origin of David’s psalms, for the simple reason the temple did not exist until Solomon’s time.

Scripture records David’s contribution to the worship of ALOHIM. It also highlights his efforts to organize the Levitical musicians:

“Moreover, David and the chief leaders of his army selected the sons of Asaph and of Heman and of Ye’Hudutun. These were separated to prophesy with the lyre harp, with the nebel harp, and with cymbals…Two hundred, eighty, and eight existed the number of them, with their brethren. All were intelligent, distinguished musicians, and had been trained in the songs of YeHOWAH.” (1 Chronicles 25:1,7)

David and his chief leaders selected musicians and then established a rotation to provide praise and leadership for the worship of YeHOWAH. It is likely that David’s “Songs of Ascending” were part of that effort. It is also a distinct probability that the “ascending” referred to the people marching upwards toward the Tabernacle, located on the qodesh mountain of Tsion.

Whatever their origin or their use in the past, presently, they describe for us the ascent of the soul, from the depths of misery and despair upwards to beauty and joy found in the presence of the Most High. I hope that your ruach will find that joy as you meditate upon these psalms and may these find their way into your personal worship of YeHOWAH.

Pamela

PDF [EDIT]: Songs_of_Ascending (122-127 addition)

PDF: The Psalm Project: Psalms 1-30

Pamela Glasgow

The Psalm Project represents my desire for a deeper understanding of the Word of YAHUAH. It is not a mechanical translation, a one-word-for-word exchange from Hebrew to English. We have those. This is a lyrical adaptation of the many possibilities hidden in the Hebrew, arranged with consideration for the poetic and musical intent of the original writer. I pray you are as enriched in the reading as I was in the transcribing.

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IN the summer of 2019, I was seated in the wine cellar of a walled Medieval town high above the Dordogne Valley of France, not far from Sarlat-la-Canéda, making phone calls, writing reports. I have given this story in other places and it appears as though you’re about to hear it again. Rob Skiba is a name you that you might be familiar with. Though he had made a name for himself as a Nephilim researcher, more recently Rob had taken a dive into the deep end of the pool via flat earth research. The recorded interviews I conducted between he and Rick Hummer, a fellow flat earth investigator and close friend of his, was published while still occupying that very wine cellar. Read all about it. Chicago Is Not a Mirage.

Word quickly spread. Within a few short weeks, dozens of flat earth researchers began accepting my invite for a private interview, if not a series of interviews. From a 17th-century tower built by King Louis XIV, and with a stunning view of the Alps, I sat down with Robbie Davidson, founder of the Flat Earth International Conferences, conducting multiple sessions. While staying in Dumfries, Scotland, David Weiss agreed to take part in the interviews, as did Bob Knodel of Globebusters. There were others. But when I asked the interviewees to discuss the moments that shaped their lives, among the many PSYOPs, false flag attacks, and hoaxes that were discussed, only these men committed commentary to the false 9/11 narrative.

The resulting recordings ballooned into The Unexpected Cosmology, a book which became a website and was even intended as an anthology. And of course, the following discourse was originally a chapter. It was Walt Disney who stated, “Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world.” Those sentiments remain applicable here as well. American Sensationalism: The 9/11 Interviews was always intended to be expanded upon with the inclusion of new researchers. So I’m sorry to say the project became stagnant during the Covid-19 psychodrama. I took a break to tackle other projects. We lost Rob Skiba. Rob offered hours of private conversation regarding his life but we never got around to the big one. 9/11. It was in the cards. Sadly, Bob Knodel died soon afterwards. Voices are being squeezed from an entire generation. Gnosis passes with them.

In the aftermath, the FE community became fractured. People began going their separate ways. Robbie Davidson, among a noted few others who were interviewed for the project, got up and left the movement altogether. It is not my intent to erase his or the contributions of others if only brief. They came, they went, their testimonies remain.

The original vision may have hit roadblocks but it is not forgotten. I expanded this paper a few years later to include testimony from author Pauly Hart, a dear friend of mine. I had wanted to continue that trend every year thereafter but you know how it goes. For the 25th anniversary of the attack I have redirected my efforts to its first large scale expansion, including Andrew Hoy and Darrin Geisinger into the mix. Perhaps others will lend their experiences to the recorder in time.

The following is their report.

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