The Alec Baldwin Movie Set Shooting Was a Bruce and Brandon Lee Tribute

Gematria | New | The World Stage

SOMETIMES the world stage producers film a movie within another movie. There is a name for that. An embedded narrative is a literary device in which a character within a story becomes the narrator of a second story within the first. In the case that you should desire an example, I am about to give you one. On the set of the ‘Rust’ movie, the first assistant director yelled: “Action!” Too soon? A gun was raised, presumedly in actor Alec Baldwin’s hand. And then, quite suddenly, a shot rang out. The story within the story is far from over, as of this writing, but here is the gist of its beginnings. Ukrainian cinematographer Halyna Hutchins fell over dead. Try not to forget the part where it happened on a movie set.

We are told the prop gun, an antique Colt .45 revolver, is responsible for the killing, and that a single discharge also shot director Joel Souza. Baldwin has since questioned how a live bullet could end up in a prop gun when a bullet wasn’t even supposed to be on the western movie set. Was Hutchins murdered or are we dealing with another elaborate hoax? Either way, the reality here is that we are banqueted with another ceremony by the numbers. There are others who have dug into this, and as always, I have Jason123 relaying much of the information, and so, here is what I can tell you. It appears from what everyone has gathered that the Rust movie set shooting has a lot to do with Bruce Lee and Brandon Lee. Consider it a tribute to them.

You can read the full extent of my report below.

[NEW 9/5/22]: The Alec Baldwin Movie Set Shooting

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IN the summer of 2019, I was seated in the wine cellar of a walled Medieval town high above the Dordogne Valley of France, not far from Sarlat-la-Canéda, making phone calls, writing reports. I have given this story in other places and it appears as though you’re about to hear it again. Rob Skiba is a name you that you might be familiar with. Though he had made a name for himself as a Nephilim researcher, more recently Rob had taken a dive into the deep end of the pool via flat earth research. The recorded interviews I conducted between he and Rick Hummer, a fellow flat earth investigator and close friend of his, was published while still occupying that very wine cellar. Read all about it. Chicago Is Not a Mirage.

Word quickly spread. Within a few short weeks, dozens of flat earth researchers began accepting my invite for a private interview, if not a series of interviews. From a 17th-century tower built by King Louis XIV, and with a stunning view of the Alps, I sat down with Robbie Davidson, founder of the Flat Earth International Conferences, conducting multiple sessions. While staying in Dumfries, Scotland, David Weiss agreed to take part in the interviews, as did Bob Knodel of Globebusters. There were others. But when I asked the interviewees to discuss the moments that shaped their lives, among the many PSYOPs, false flag attacks, and hoaxes that were discussed, only these men committed commentary to the false 9/11 narrative.

The resulting recordings ballooned into The Unexpected Cosmology, a book which became a website and was even intended as an anthology. And of course, the following discourse was originally a chapter. It was Walt Disney who stated, “Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world.” Those sentiments remain applicable here as well. American Sensationalism: The 9/11 Interviews was always intended to be expanded upon with the inclusion of new researchers. So I’m sorry to say the project became stagnant during the Covid-19 psychodrama. I took a break to tackle other projects. We lost Rob Skiba. Rob offered hours of private conversation regarding his life but we never got around to the big one. 9/11. It was in the cards. Sadly, Bob Knodel died soon afterwards. Voices are being squeezed from an entire generation. Gnosis passes with them.

In the aftermath, the FE community became fractured. People began going their separate ways. Robbie Davidson, among a noted few others who were interviewed for the project, got up and left the movement altogether. It is not my intent to erase his or the contributions of others if only brief. They came, they went, their testimonies remain.

The original vision may have hit roadblocks but it is not forgotten. I expanded this paper a few years later to include testimony from author Pauly Hart, a dear friend of mine. I had wanted to continue that trend every year thereafter but you know how it goes. For the 25th anniversary of the attack I have redirected my efforts to its first large scale expansion, including Andrew Hoy and Darrin Geisinger into the mix. Perhaps others will lend their experiences to the recorder in time.

The following is their report.

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