The Sandy Hook Hoax: The Alex Jones Lawsuit Trial Was a Movie Set

New | The World Stage
Noel Joshua Hadley

BY now you’ve probably heard the News. Alex Jones was ordered to cough up an additional $45 million on Friday. The lawyer representing him was somebody named Robert Barnes. I looked him up. He appears to be a Hollywood attorney who has taken on Wesley Snipes as a client, among others. As if that’s not suspicious, Jones sat on air with Barnes to bemoan the turn of events. After boasting of being the number one News story in the world, even more than Nancy Pelosi in China or whatever, Jones then stated how it was the “show trial of the century,” a kangaroo court which would apparently “make the Nazi’s blush.” Did he really go there? He did. It gets worse though.

I decided to link the InfoWars video simply so that you don’t think I’m reading too much into this. Follow along. Jones hands the teleprompter off to Barnes at the 2-minute and 40-second mark, and this is what he says. The Sandy Hook lawsuit wasn’t simply a “show trial.” No, it was akin to a modern-day movie script. Say it ain’t so. Don’t end the video there though. Keeping listening. Barnes goes on to say the courtroom was set up like a movie set and that he was holding a conversation with a Hollywood script writer who fell in agreement with him. It was a movie set. Is this a confession? Sounds like a confession to me.

Moving forward, Barnes doesn’t shut up. He just keeps on talking, giving us all the juicy details on the Hollywood production. There were three movie cameras, he says. The judge was alternating between what could be said and when it could be said and how it could be said and who could say it. Was she also the director? Sounds like a director to me. Even the purpose of this particular Intel script was laid out. He said the courtroom drama had nothing to do with evidence nor the laws of Texas. “It had everything to do with scripting a case so that it would have a particular outcome and a future media narrative that would be spun.” His words, not mine. It’s all there.

He then said it was an actual movie where the judge had made herself the star. Does the confession end there? Oh no. Watch as he keeps shoving his foot down his throat and gnawing upon it. “That is what has happened in this case. It was a show trial unparalleled and unprecedented in American or world history… There has been nothing as literally scripted for a movie as this film—as this case—was.” Yes, he just went there. The case was a movie. His words, not mine. And every single detail was scripted. So, let me get this straight. Alex Jones’ position, as well as his legal counsel, is that Sandy Hook was 100 percent legit having everything to do with real people and not actors, but the lawsuit trial was a scripted movie? Unbelievable.

PDF [Update]: The Sandy Hook Hoax

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IN the summer of 2019, I was seated in the wine cellar of a walled Medieval town high above the Dordogne Valley of France, not far from Sarlat-la-Canéda, making phone calls, writing reports. I have given this story in other places and it appears as though you’re about to hear it again. Rob Skiba is a name you that you might be familiar with. Though he had made a name for himself as a Nephilim researcher, more recently Rob had taken a dive into the deep end of the pool via flat earth research. The recorded interviews I conducted between he and Rick Hummer, a fellow flat earth investigator and close friend of his, was published while still occupying that very wine cellar. Read all about it. Chicago Is Not a Mirage.

Word quickly spread. Within a few short weeks, dozens of flat earth researchers began accepting my invite for a private interview, if not a series of interviews. From a 17th-century tower built by King Louis XIV, and with a stunning view of the Alps, I sat down with Robbie Davidson, founder of the Flat Earth International Conferences, conducting multiple sessions. While staying in Dumfries, Scotland, David Weiss agreed to take part in the interviews, as did Bob Knodel of Globebusters. There were others. But when I asked the interviewees to discuss the moments that shaped their lives, among the many PSYOPs, false flag attacks, and hoaxes that were discussed, only these men committed commentary to the false 9/11 narrative.

The resulting recordings ballooned into The Unexpected Cosmology, a book which became a website and was even intended as an anthology. And of course, the following discourse was originally a chapter. It was Walt Disney who stated, “Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world.” Those sentiments remain applicable here as well. American Sensationalism: The 9/11 Interviews was always intended to be expanded upon with the inclusion of new researchers. So I’m sorry to say the project became stagnant during the Covid-19 psychodrama. I took a break to tackle other projects. We lost Rob Skiba. Rob offered hours of private conversation regarding his life but we never got around to the big one. 9/11. It was in the cards. Sadly, Bob Knodel died soon afterwards. Voices are being squeezed from an entire generation. Gnosis passes with them.

In the aftermath, the FE community became fractured. People began going their separate ways. Robbie Davidson, among a noted few others who were interviewed for the project, got up and left the movement altogether. It is not my intent to erase his or the contributions of others if only brief. They came, they went, their testimonies remain.

The original vision may have hit roadblocks but it is not forgotten. I expanded this paper a few years later to include testimony from author Pauly Hart, a dear friend of mine. I had wanted to continue that trend every year thereafter but you know how it goes. For the 25th anniversary of the attack I have redirected my efforts to its first large scale expansion, including Andrew Hoy and Darrin Geisinger into the mix. Perhaps others will lend their experiences to the recorder in time.

The following is their report.

Read the 9/11 Interviews

Watch the Interviews