“As in the days of Noah…” | Pandemic, Life-Giving Idol, & Performance Witchcraft

New Age | pandemic | The Mystery Religion
Noel Joshua Hadley

Virtue signaling gone wild. I’m willing to bet the vast majority of people out there who are emotionally wrung over the COVID-19 psycho-drama and pointing out their own humility by spouting off such mantras as “STAY HOME, SAVE LIVES,” are the very same individuals glued to the electric-lit glow of the media’s unfolding narrative. The television is a weapon, and has been employed as one from its very conception. We’re not simply being lied to. We’re being processed.

Modern Jesus

Jesus social distancing and virtue signaling – two birds with one stone.

To put this in slightly different terms, without television and the media, all of this would simply go away. 150 people already on their last leg might catch the flu and die and nobody would bat an eye. I find it difficult to imagine any other scenario by which the BEAST might cast a spell and simultaneously entrance the entire world than with the television.

One really has to wonder exactly how mankind was vastly initiated under the spell of the Watchers religion before the old world was completely destroyed by water, and I can’t help but speculate if it’s anything—if not precisely—like our own experiences today. I can see it now. Atlantean citizens sit around in front of their animated high-frequency idol, allowing the unfolding narrative to program every thought, emotion, and desire until their eyes bleed. As in the days of Noah.

Even Solomon reminds us:

“That which has been is that which will be, and that which has been done is that which will be done. So, there is nothing new under the sun.”
Ecclesiastes 1:9

That which has been is that which will be….

In one word. BABYLON.

There is a general agreement among scholars that all DRAMA began as magic ritual. Egypt. Greece. Mesopotamia. You name it. Actors and DRAMA were magic. It wasn’t until Aeschylus in the sixth century B.C. that the carefully guided narrative presented in Mystery plays took precedence over the carefully woven spell. At least, on the surface, the exoteric replaced the esoteric. The original intent of these sacred dramas however was to function as solemn rites into the Mysteries themselves—narratives which mirrored the behaviors of divine beings in order that the actor and his audience might each learn to identify and therefore exercise their own divine identity.

Magic is nothing more or less than wielding the power of nature and successfully manipulating it. Hence, the actor and the directed emotions of his ever-watchful audience. In ‘The Golden Bough: A Study in Magic and Religion,’ first published in 1890, James G. Frazer calls this the Law of Similarity. Frazer wrote: “From the Law of Similarity, the magician infers that he can produce any effect he desires merely by imitating it.”

This is the underlying premise. By representing a circumstance, a higher form, the imagined action will come to pass as a reality for the natural world. This is precisely why the Mysteries were performed, not for purposes of doctrine or creed, per say, but for the functions of coaxing the natural world into a magical ceremony which hoped to bring about the very mythical events acted out, through the mimicry of emotions, into a matter of fact.

I’ll say this again, because people need to hear it.

ALCHEMY.

Only this time, the base metal being converted into gold is all of society. We are all being initiated, and like the Mystery pageants of old, the actors ultimate goal is to exchange the cloak of the mortal for immortality. Though it may seem like a stretch of the imagination at the moment, I believe what’s waiting for us on the other end of the “late great planet earth” DRAMA is Christ consciousness.

Shalom.

-Noel

 

IN the summer of 2019, I was seated in the wine cellar of a walled Medieval town high above the Dordogne Valley of France, not far from Sarlat-la-Canéda, making phone calls, writing reports. I have given this story in other places and it appears as though you’re about to hear it again. Rob Skiba is a name you that you might be familiar with. Though he had made a name for himself as a Nephilim researcher, more recently Rob had taken a dive into the deep end of the pool via flat earth research. The recorded interviews I conducted between he and Rick Hummer, a fellow flat earth investigator and close friend of his, was published while still occupying that very wine cellar. Read all about it. Chicago Is Not a Mirage.

Word quickly spread. Within a few short weeks, dozens of flat earth researchers began accepting my invite for a private interview, if not a series of interviews. From a 17th-century tower built by King Louis XIV, and with a stunning view of the Alps, I sat down with Robbie Davidson, founder of the Flat Earth International Conferences, conducting multiple sessions. While staying in Dumfries, Scotland, David Weiss agreed to take part in the interviews, as did Bob Knodel of Globebusters. There were others. But when I asked the interviewees to discuss the moments that shaped their lives, among the many PSYOPs, false flag attacks, and hoaxes that were discussed, only these men committed commentary to the false 9/11 narrative.

The resulting recordings ballooned into The Unexpected Cosmology, a book which became a website and was even intended as an anthology. And of course, the following discourse was originally a chapter. It was Walt Disney who stated, “Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world.” Those sentiments remain applicable here as well. American Sensationalism: The 9/11 Interviews was always intended to be expanded upon with the inclusion of new researchers. So I’m sorry to say the project became stagnant during the Covid-19 psychodrama. I took a break to tackle other projects. We lost Rob Skiba. Rob offered hours of private conversation regarding his life but we never got around to the big one. 9/11. It was in the cards. Sadly, Bob Knodel died soon afterwards. Voices are being squeezed from an entire generation. Gnosis passes with them.

In the aftermath, the FE community became fractured. People began going their separate ways. Robbie Davidson, among a noted few others who were interviewed for the project, got up and left the movement altogether. It is not my intent to erase his or the contributions of others if only brief. They came, they went, their testimonies remain.

The original vision may have hit roadblocks but it is not forgotten. I expanded this paper a few years later to include testimony from author Pauly Hart, a dear friend of mine. I had wanted to continue that trend every year thereafter but you know how it goes. For the 25th anniversary of the attack I have redirected my efforts to its first large scale expansion, including Andrew Hoy and Darrin Geisinger into the mix. Perhaps others will lend their experiences to the recorder in time.

The following is their report.

Read the 9/11 Interviews

Watch the Interviews